As many of these images are made for various purposes and objectives, the most striking feature of all simpsonize yourself is the body’s distortion and its parts. Thin people are described as skeletons and fat waves for ridiculous size. Other features such as sunken or enlarged eyes and nose are made to appear larger than proportions. Distortion in the way, dress, temperament, etc. are lowered or lowered for excessive proportions. Who or whatever the target, the intention of the art caricature is to express personality or characteristics through their comic overload the most visible features, habits and traits.

There is more to simpsonize yourself than representations only ugliness, or other distorted forms of representation that traditionally describe. It is an artistic portrait, where the characteristic features of the subject are presented in a way that deforms or exaggerates their essence to achieve satirical and / or funny effects. Creating simpsonize yourself attractiveness from ugly portraits is the basis of caricature art. Despite fraud and a real picture of the strengths and weaknesses of the human body, he tries to tell the whole story of the portrait is too distorted and excessive.

Simpsonize yourself can reveal a lot about changing attitudes to body shape, diet, beliefs, relationships and sex. There can also be the most striking portraits of facial and body attitudes: anger, sadness, respect, joy, etc. The key is to make simple sketches that tell the whole story rather than complicated descriptions that confuse viewers. Although the intentions of each caricature are generally for ridicule or satire, the actual motivation for various portraits varies from artist to artist with several works aiming nothing more than a raw display of national or sexual stereotypes with excessive comics. Some say that the evolution of caricature art is relative to sensors; that simpsonize yourself artists compose ways of telling stories with finer ploys, and greater artistic and political tones. The history of caricatures has often been associated with the history of censorship. The true intent of this art caricature has lately been described as a negotiation between the natural urge to mock and the higher desire for change or reform.

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